Permalink to Everything that is so, so wrong with NBC’s new Twitter contest

Everything that is so, so wrong with NBC’s new Twitter contest

The upfronts are happening this week, which means the major broadcast television networks are trotting out their shiniest, new toys of the 2013-14 season. (More on the actual shows and my summative observations later this week.) The networks are also using this time to proclaim all the ways they’re integrating social and digital technologies.

Exhibit A:

Exhibit B:
ABC to Live-Stream Its Shows via App

I’m thrilled that television networks are finally addressing and prioritizing digital initiatives and platforms on a wide scale. But there needs to be solid strategy behind those initiatives. The past forty-eight hours have produced two examples of digital integration — one brilliant, one bad.

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Permalink to Introducing: This Is Pop

Introducing: This Is Pop

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The past month or so has been full of new ventures and exciting projects. So full that I completely missed my website’s first birthday. It came and passed without any fanfare, which, in hindsight, feels exactly right. I’ll post a birthday bash when this site turns five. Or maybe three. I have a thing for numbers that don’t neatly multiply.

During this time, I have become a contributing writer at This Was TV, a site that explores and celebrates classic, vintage and retro television. It is a delight to collaborate with the fun, clever folks over there. I’ve also launched a new podcast with my dear friend Jacki Hess.

The latter is a project long in the making. Jacks and I met eons ago in an improv class at a local community theatre. We grew up, and our friendship has continued over the years. Jacks was the one who introduced me to Gilmore Girls. I introduced her to Doctor Who. We dressed up as Dalek Caan and the TARDIS this past Halloween. (Guess which one was me.) If not for Jacki, I would have never watched Grey’s Anatomy or Buffy. (Thanks, dear.) And we were geeking out over The Hunger Games long before it was cool.

So we finally created an outlet for all our pop culture thoughts and conversations. We’ve thrown a little improv in because, well, we still can’t give that up. Hope you enjoy the podcasts as much as we love making them.

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Permalink to Doctor Who’s eighth season may bring a new Doctor

Doctor Who’s eighth season may bring a new Doctor

And the chatter has begun.

Last week The Sun reported that Matt Smith’s final performance as Doctor Who will be the 2013 Christmas special. Smith’s contract expires in November, and the rumblings are that he doesn’t want to renew. (Makes sense given his four-year stint as the Doctor and future film projects already lining up.)

Huffington Post ran this headline last Friday:

DOCTOR WHO IS IN FOR A HUGE LOSS

And I can’t say that I agree. Smith leaving isn’t so much a loss as it is a natural transition and progression of the show. While I greatly love Matt Smith as the Eleventh Doctor, I am more than ready for a new Doctor. Don’t get me wrong — Matt Smith has brought a brilliant quirkiness, compassion and enthusiasm to the role. His quick birdlike movements and youthfulness have attracted thousands of new fans. He has been, to use the Ninth Doctor’s phrase, fantastic.

Yet the show has lasted as long as it has due to, in part, the regenerations and recasting of its central character. You can only do so much with time and space and aliens. The introduction of a new personality and energy influences the show’s entire dynamic.

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Permalink to Paging 1965: The Avengers and “Dial a Deadly Number”

Paging 1965: The Avengers and “Dial a Deadly Number”

For this month’s retrospective, I turn to The Avengers 1965 episode ”Dial a Deadly Number.” Originally aired in the UK on December 3, 1965, this episode is, by far, one of the cleverest and most sharply written episodes in its entire history.

The story begins with the murder of a company chairmen. The murder weapon? A new-fangled “bleeper” device–an early pager that “bleeped” whenever the user was needed at the office. We see a skulky man with a pencil mustache bump into the businessman, exchange his bleeper with a different one, and then call a number on the telephone. The numbers communicate to the doctored bleeper device, and releases a long, capillary needle straight into the heart. This deceased businessman is the latest in a string of unrelated murders of company chairmen, upon whose deaths their company stocks plummet. And yet none of these companies are being taken over.

While Emma Peel investigates the bleeper devices, John Steed makes a series of personal calls — to bankers, brokers and investors. Their professional paths all interconnect, and they form a sort of Machiavellian old boys’ club. A lot of financial jargon is bandied about, including a put option, and Steed discovers that this tactic is a way one could make loads of money off of someone else’s financial failure. (The money dialogue goes over my head, and I share Steed’s sentiment: “Complex and definitely not for the amateur.”) The how and why have been sorted. Now it’s a matter of figuring out who is behind the murders.

There are wine tasting duels, attempted murder by motorcycle, sherry and biscuits, bicycle pump guns and enough pub scenes to make my microbrew-loving heart melt.

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Permalink to The troublesome “Men of Nashville” promo

The troublesome “Men of Nashville” promo

This past week, this Nashville promo was released by ABC.

 

First reaction? I LOVE IT. It’s fun and sexy. Great use of music. I am precisely the target audience for this promo — a female viewer between the ages of 18 and, well, I think my grandma would even agree that Eric Close and Charles Esten are good-looking guys. (She once told me George Clooney is foxy.)

The promo ends with the statement, “No matter what you call them, the men of Nashville just plain hot.” And, yeah, the men of Nashville are hot. I’ve seen entire Twitter threads on the “sexy scruffy” facial hair of Esten and the sex appeal of Michiel Huisman (who is curiously not featured in this promo). They’re attractive dudes. And I caught myself appreciating their sexiness during this promo.

Then the conflicted emotions started.

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Writer, television critic, feminist, digital alchemist, media geek -- sharing wry and irreverent observations on all things tv, media & culture.

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